As part of Toronto’s Underpass Park, a two-and-a-half-acre public landscape beneath the Eastern Avenue ramps, Mirage uses reflectivity to draw people into and through the space. Suspended overhead, large-scale mirror-like surfaces bend light and displace familiar images, transforming the experience of the park from ordinary to subtly unexpected.

Following Waterfront Toronto’s inaugural public art competition, Paul Raff Studio developed a permanent installation for one of Canada’s most extensive parks built beneath an overpass. Responding to this infrastructural setting, Mirage introduces a sense of lightness and quiet intrigue to a once overlooked urban void, contributing to the animation and reconnection of a growing neighbourhood.

Composed of 57 polished stainless steel panels suspended from the underside of the overpass, the artwork engages the eye through shifting reflections. Passersby encounter unexpected views – light across the dark soffit, figures moving upside down – as the low space appears to lift and expand. Art and architecture critic John Bentley Mays described Mirage as “a shifting of semi-abstract imagery… hovering like a shining cloud over the heads of passersby.” In reflecting both city and sky, the work creates a dynamic field of perception that evolves with movement, light, and time.